Ingredients

Ingredients

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they navigated the girl drought of gawky adolescence together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they swore to stay friends forever. Until Adrian’s life took a turn into tragedy, and all of them, especially Tony, moved on and did their best to forget.

Now Tony is in middle age. He’s had a career and a marriage, a calm divorce. He gets along nicely, he thinks, with his one child, a daughter, and even with his ex-wife. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove. The unexpected bequest conveyed by that letter leads Tony on a dogged search through a past suddenly turned murky. And how do you carry on, contentedly, when events conspire to upset all your vaunted truths?

The story of a man coming to terms with the mutable past, Julian Barnes’s new novel is laced with his trademark precision, dexterity and insight. It is the work of one of the world’s most distinguished writers. (Source: the author’s website)

About the author

Julian Barnes was born in Leicester, England on January 19, 1946. He was educated at Magdalen College, Oxford, from which he graduated in modern languages (with honors) in 1968. After graduation, he worked as a lexicographer for the Oxford English Dictionary supplement for three years. In 1977, Barnes began working as a reviewer and literary editor for the New Statesmen and the New Review. From 1979 to 1986 he worked as a television critic, first for the New Statesmen and then for the Observer.

Barnes has received several awards and honors for his writing including the Somerset Maugham Award (Metroland 1981), two Booker Prize nominations (Flaubert’s Parrot 1984, England, England 1998); Geoffrey Faber Memorial Prize (FP 1985); Prix Médicis (FP 1986); E. M. Forster Award (American Academy and Institute of Arts and Letters, 1986); Gutenberg Prize (1987); Grinzane Cavour Prize (Italy, 1988); and the Prix Femina (Talking It Over 1992). Barnes was made a Chevalier de l’Ordre des Arts et des Lettres in 1988, Officier de l’Ordre des Arts et des Lettres in 1995 and Commandeur de l’Ordre des Arts et des Lettres in 2004. In 1993 he was awarded the Shakespeare Prize by the FVS Foundation and in 2004 won the Austrian State Prize for European Literature. In 2011 he was awarded the David Cohen Prize for Literature. Awarded biennially, the prize honours a lifetime’s achievement in literature for a writer in the English language who is a citizen of the United Kingdom or the Republic of Ireland.

His novel The Sense of an Ending was awarded the Mann Booker Prize in October 2011.

Julian Barnes has written numerous novels, short stories, and essays. He has also translated a book by French author Alphonse Daudet and a collection of German cartoons by Volker Kriegel. His writing has earned him considerable respect as an author who deals with the themes of history, reality, truth and love.

Barnes lives in London.

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Recipe: Snickerdoodles

Recipe: Banana Bread

Recipe: Susan’s Broccoli Salad

by Jenny Erpenbeck
Germany. 2008. 176 pages.

By the side of a lake in Brandenburg, a young architect builds the house of his dreams—a summerhouse with wrought-iron balconies, stained-glass windows the color of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century: the Jewish neighbors disappear one by one; the Red Army requisitions the house, burning the furniture and trampling the garden; a young East German attempts to swim his way to freedom in the West; a couple return from brutal exile in Siberia and leave the house to their granddaughter, who is forced to relinquish her claim upon it and sell to new owners intent upon demolition. Reaching far into the past, and recovering what was lost and what was buried, Jenny Erpenbeck tells an exquisitely crafted, stealthily chilling story of a house and its inhabitants, and a country and its ghosts.

About the author

Jenny Erpenbeck (born March 12, 1967 in East Berlin[1]) is a German director and writer. From 1988 to 1990 Erpenbeck studied theatre at the Humboldt University of Berlin. In 1990 she changed her studies to music theater director at the Hanns Eisler Music Conservatory, graduating in 1994. As a freelance director, she directed in different opera houses in Germany and Austria, including Monteverdi’s L’Orfeo in Aachen, Acis and Galatea at the Berlin State Opera and Wolfgang Amadeus Mozart’s Zaide in Nuremberg/Erlangen.

In the 1990s Erpenbeck started a writing career in addition to her directing. She is author of narrative prose and plays: in 1999, History of the Old Child, her debut; in 2001, her collection of stories Trinkets; in 2004, the novella Dictionary; and in February 2008, the novel Visitation. In March 2007, Erpenbeck took over a biweekly column by Nicole Krauss in the Frankfurter Allgemeine Zeitung. Erpenbeck lives in Berlin with her son. (Text credit: Wikipedia; image credit: solothurner-literaturpreis.ch)

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by Naguib Mahfouz
Egypt. 1961. 160 pages.

For the Berlin group
After four years in prison, the skilled young thief Said Mahran emerges bent on revenge. He finds a world that has changed in more ways than one. Egypt has undergone a revolution and, on a more personal level, his beloved wife and his trusted henchman, who conspired to betray him to the police, are now married to each other and are keeping his six-year-old daughter from him. But in the most bitter betrayal, his mentor, Rauf Ilwan, once a firebrand revolutionary who convinced Said that stealing from the rich in a unjust society is an act of justice, is now himself a rich man, a respected newspaper editor who wants nothing to do with the disgraced Said. As Said’s wild attempts to achieve his idea of justice badly misfire, he becomes a hunted man so driven by hatred that he can only recognize too late his last chance at redemption.

About the author

Born in Cairo in 1911, Naguib Mahfouz began writing when he was seventeen. His first novel was published in 1939 and ten more were written before the Egyptian Revolution of July 1952, when he stopped writing for several years. One novel was republished in 1953, however, and the appearance of the Cairo Triology, Bayn al Qasrayn, Qasr al Shawq, Sukkariya (Between-the-Palaces, Palace of Longing, Sugarhouse) in 1957 made him famous throughout the Arab world as a depictor of traditional urban life. With The Children of Gebelawi (1959), he began writing again, in a new vein that frequently concealed political judgements under allegory and symbolism. Works of this second period include the novels, The Thief and the Dogs (1961), Autumn Quail (1962), Small Talk on the Nile (1966), and Miramar (1967), as well as several collections of short stories.

Until 1972, Mahfouz was employed as a civil servant, first in the Ministry of Mortmain Endowments, then as Director of Censorship in the Bureau of Art, as Director of the Foundation for the Support of the Cinema, and, finally, as consultant on Cultural Affairs to the Ministry of Culture. The years since his retirement from the Egyptian bureaucracy have seen an outburst of further creativity, much of it experimental. He is now the author of no fewer than thirty novels, more than a hundred short stories, and more than two hundred articles. Half of his novels have been made into films which have circulated throughout the Arabic-speaking world. In Egypt, each new publication is regarded as a major cultural event and his name is inevitably among the first mentioned in any literary discussion from Gibraltar to the Gulf. (Text and image credits: Les Prix Nobel, 1988)

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by Santiago Roncagliolo
Peru. 2010. 288 pages.

In 2000, associate district prosecutor Félix Chacaltana Saldívar, who’s returned to the province of Ayacucho from Lima, clashes with his superiors after the discovery of a charred and mutilated corpse. Rigidly adhering to bureaucratic procedure, Saldívar demands that an official police report on the crime be filed, despite the active resistance of the police and the local military commander. The prosecutor’s refusal to abort his inquiry threatens the official line that the Shining Path terrorists are a thing of the past. Eventually, he’s reassigned to help monitor elections, only to encounter more corruption. Within the frame of a puzzling whodunit, Roncagliolo crafts an unsparing view of life controlled by a repressive and paranoid government. Winner of the Guardian Independent Foreign Fiction Prize & Alfaguara Prize—one of the most prestigious in the Spanish-speaking world.

About the author

Santiago Rafael Roncagliolo Lohmann (Lima, 1975), is a Peruvian writer, scriptwriter, translator and journalist. His writing career started with a few children’s books and a short play called “Your friends would never harm you” (Tus amigos nunca te harían daño”). In 2000 he moved to Barcelona, Spain, where he continues to reside. His novel Abril Rojo (“Red April”) won the Premio Alfaguara in 2006 and the Independent Foreign Fiction Prize in 2011. (Text credit: Wikipedia; image credit: piedepagina.com)

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by Maaza Mengiste
Ethiopia. 2010. 308 pages.

This memorable heartbreaking story opens in Addis Ababa, Ethiopia, 1974, on the eve of a revolution. Yonas kneels in his mother’s prayer room, pleading to his god for an end to the violence that has wracked his family and country. His father, Hailu, a prominent doctor, has been ordered to report to jail after helping a victim of state-sanctioned torture to die. And Dawit, Hailu’s youngest son, has joined an underground resistance movement—a choice that will lead to more upheaval and bloodshed across a ravaged Ethiopia.

Beneath the Lion’s Gaze tells a gripping story of family, of the bonds of love and friendship set in a time and place that has rarely been explored in fiction before. It is a story about the lengths human beings will go in pursuit of freedom and the human price of a national revolution. Emotionally gripping, poetic and indelibly tragic, Beneath the Lion’s Gaze is a transcendent and powerful debut.

About the author

A 2010-11 Fulbright Scholar, Maaza Mengiste was born in Addis Ababa, Ethiopia, and graduated with an MFA in Creative Writing from New York University. A recent Pushcart Prize nominee, she was named “New Literary Idol” by New York Magazine. Her work has appeared in The Baltimore Review, Ninth Letter, and 42opus, has been translated and published into German and Romanian for Lettre International, and can be found in the Seal Press anthology Homelands: Women’s Journeys Across Race, Place and Time. A recipient of fellowships from the Prague Summer Program, the Virginia Center for the Creative Arts, Yaddo and the Emily Harvey Foundation, she currently lives in New York. (Text and image credits: the author’s website)

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